BY Chuck Vranas PHOTOGRAPHY BY THE AUTHOR
azing through the looking glass it’s easy to see the infinite styles brought forth by major manufacturers as they moved through the decades in designing an endless stream of trucks for the masses. Regardless of whether they were for consumer use or hard-core commercial applications, their era-specific designs spoke volumes in bringing an equal amount of both utility and allure to products rolling off the production lines. While each decade showcased their competitive forces straight from the drawing board, trucks from the Art Deco era brought forth game-changing designs easily seen in the 1941 Dodge owned by Tonyea Mead of Lewes, Delaware, laid out across our pages.
Dodge welcomed the era from 1939-1947 with a fresh sheet of paper in creating a grouping that became well known as their Job-Rated trucks. The thoughts behind them expressed that Dodge would be able to configure their trucks in a myriad of variants and model codes that would be able to directly fit the consumers’ needs for their individual applications. Add in that this was the height of the Art Deco era, so showcasing their new models with plenty of glamour, including streamlined frontend sheetmetal and flowing body lines, made them a winner straight from the dealer showrooms.
It’s always interesting to find what lures a classic truck fan into the hobby and for Tonyea it was attending an endless number of outdoor car shows and cruise nights along with her husband, Phil, as he showcased his latest build, a Factory Five Racing Mk1 roadster Hot Rod Truck. While attending the events with her trusty camera in hand, she began to assemble a portfolio of classic trucks that fascinated her, thanks to their combination of vintage styling and purpose-built usefulness. For Phil, having spun wrenches over the years while restoring a number of classic sports cars, including marques from MG, Healy, and Porsche, he was more than up to the challenge of taking on a new project.
When scrolling through the images in her portfolio, it was easy to see that there was a definite appreciation for trucks from the ’40s era. While models from Chevrolet and Ford obviously dominated the grouping, it was the less frequently seen models that really captured her attention. Focusing in on the Art Deco era of Dodge trucks, the pair began the search for a suitable donor to anchor the project.
They eventually located a 1941 model in nearby Maryland and wasted no time in checking it out. Upon arrival, it was obvious that the non-runner had seen plenty of abuse over the years, however Tonyea saw plenty of potential in what was left, so a deal was made, swapping cash for keys, and the truck was hauled back to their shop to get started. Her formula was simple to tidy up the bodylines, set the stance, and add plenty of dependability for the long haul.
With that in mind, Phil began the teardown and it was clear to see that there were numerous areas in need of attention, especially the factory sheetmetal. While the cab was relatively solid, the bed and running boards were heavily rusted, the front fenders had gaping rust holes, and the rear fenders had dents all over the size of golf balls. Knowing that, he got started with the original spine by blasting it clean, boxing it for additional strength, C-notching the back, and adding new crossmembers. Out back a Ford 8.8-inch rear (refreshed by Phil) spins 4.10 gears and is suspended in place by a combination of Posies Super Slide leaf springs and tube shocks from Pete and Jakes. For a perfect stance and razor-sharp handling, a Fatman Fabrications Hub-to-Hub IFS was added, including their exclusive tubular steel control arms and spindles along with power rack-and-pinion steering. For plenty of stopping power, a Corvette dual master pushes fluid through steel lines to Ford Mustang discs at each corner. To roll with a perfect traditional look, Tonyea contacted the Wheel Smith for a set of 16×7 front and 16×8 rear steelies, which she wrapped in Diamond Back wide whites, complemented by signature Dodge caps to complete the look.