FEATURE
InTheGarageMedia.com
BY Rob FortierPhotography By Tim Sutton
South City Rod & Custom typography
Building High-End Hot Rods, Customs, and Classic Trucks
T

here is definitely such a thing as a “hot rod bloodline” … we’ve seen it evident in families from the Coddingtons to the Brizios and many, many more. But while the majority are a direct “handing down of the torch” type scenario as such, the one we’re focusing on here stems from a pretty unique lineage.

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FEATURE
InTheGarageMedia.com
South City Rod & Custom typography
Building High-End Hot Rods, Customs, and Classic Trucks
BY Rob FortierPhotography By Tim Sutton
T

here is definitely such a thing as a “hot rod bloodline” … we’ve seen it evident in families from the Coddingtons to the Brizios and many, many more. But while the majority are a direct “handing down of the torch” type scenario as such, the one we’re focusing on here stems from a pretty unique lineage.

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If you’ve been reading hot rod–related periodicals for any length of time—namely Hot Rod and its now defunct sister publication Rod & Custom—then the name Pat Ganahl should be all too familiar. Unlike some photojournalists who just report on the subject, Pat lived it—and by that, I mean lived and breathed the hot rods and customs he wrote about because he also built them … and very well at that, I might add. So, it should come as no surprise that his offspring, young Bill, was instilled with not only the bug but the talent to build high-end hot rods, customs, and, of course, as our Jan. ’21 issue fully attests to, classic trucks!

Bill cut his teeth, so to speak, under the tutelage of none other than Roy Brizio in South San Francisco where he had a hand in many of the magazine-featured builds to come out of Brizio’s shop in the early 2000s. By 2007 he got the itch to branch out on his own, which he did at first while still working full time at Brizio’s. The afterhours South City Rod & Custom (SCRC) was born (so named after the actual location of the shop), which by 2013 he was manning the operation of full time. A year later, the move was made to Hayward, California, where SCRC still resides to this day, with Joe DeBattista, Donny Welch, Ian Kim, Tony Parker, and my old friend Brett Reed at his side helping produce a constant flow of top-notch builds.

At the time Tim Sutton paid Bill et al a visit to gather these images for us, SCRC was still finishing up Dan Williams’ 1969 GMC you should all be familiar with by now, as well as Gary Giovanonni’s 1956 Chevy Stepside, as well as Mark Sandfort’s 1965 Fleetside, both of which will be coming to an issue of CTP before you know it! Giovanonni’s small-window driver now rests on a Total Cost Involved chassis and is powered by a blown small-block, with, as Bill put it, “kidney bean Halibrands to give it kind of a throwback Pro Street look.” Similar to Williams’, Sandfort’s C10 resides on a Roadster Shop chassis, runs a set of ET five-spokes, and again as Bill put it, “will feature tons of custom touches that no one will ever appreciate!” Additionally, you’ll notice a couple Willys projects in the pics—one happens to be an extremely rare 1935 panel delivery they pretty much restored for Bob Panella (painted by Joe Compani/Compani Color), while the other is Dave Weissbart’s, which was subsequently shot for sister pub Modern Rodding! If you look really close, however, you just may catch a glimpse of Bill’s personal project—his 1964 Buick Riviera mild custom, painted by, who else, his old man!

If you would like to see more of what South City Rod & Custom has going on, visit southcityrodandcustom.com.

man on phone in car shop
cars being worked on in the shop
truck in progress at the shop
engine work in progress
trucks in progress at the shop
Engine in a truck
Engine in a truck
bed of truck
Steering wheel
Dashboard in progress
car rebuild in progress
engine in progress